kimmel_manhood_in_america
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| kimmel_manhood_in_america [2026/04/23 00:54] – [Chapter 8: The Masculine Mystique] nrutkows | kimmel_manhood_in_america [2026/04/27 18:00] (current) – [Chapter 9: Wimps, Whiners, and Weekend Warriors: The Contemporary Crisis of Masculinity and Beyond] cspivy | ||
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| Like in the 1896 election where William McKinley was pressured to portray himself as a manly solider type where he leaned heavily on his service in the Civil War, George H.W. Bush had to push back against claims of lacking the proper masculinity to be vice president. He did so by using specific vocabulary like how after a televised debated he stated that he " | Like in the 1896 election where William McKinley was pressured to portray himself as a manly solider type where he leaned heavily on his service in the Civil War, George H.W. Bush had to push back against claims of lacking the proper masculinity to be vice president. He did so by using specific vocabulary like how after a televised debated he stated that he " | ||
| + | Kimmel describes the ways that, over time, the very core of what historically gave men " | ||
| - | **Chapter 10: The Anxiety | + | In the context of the late twentieth century, Michael Kimmel argues that traditional forms of hegemonic masculinity lost their relevance as a result of various socio-economic and cultural changes. Among these were the struggles for discursive and material equality by previously excluded groups such as women, queer people, and people of color. In response |
| - | Similar | + | ===== Chapter 10: The Anxiety |
| - | GOT TO HERE--WBM | + | Similar to the end of the nineteenth century, men in the 21st century are anxious about proving their manhood. However, Kimmel claims, that these concerns about manhood are being expressed more aggressively and their is more anger about manhood coming mainly from the middle to lower-middle class. This anger is expressed thorough rhetoric like the problems with political correctness, |
| + | Kimmel states, similar to the nineteenth century, middle class men have been facing economic trouble which their fathers before them who were able to be the breadwinners of the house did not. This change in circumstances has led to men feeling as if their grasp on their manhood has been slipping due their inability to execute their " | ||
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| + | Kimmel uses music as a way to look at masculine archetypes based on the genre. It was also a way for the masculine ideals surrounding the specific genre being spread to other communities that originally did not have that exact type of masculinity. With music it can show how sectional masculinity had become with the different groups, focused on race, class status, or personal ideals. (Sage Milton) | ||
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